Vis enkel innførsel

dc.contributor.authorLunde, Hallstein
dc.date.accessioned2018-11-20T09:51:03Z
dc.date.available2018-11-20T09:51:03Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/11250/2573901
dc.descriptionMasteroppgave i musikkpedagogikknb_NO
dc.description.abstractThis study employs philosophical critique in order to determine whether a measure of adaption of the Suzuki Method may help alleviate some of the challenges to music teaching in the Norwegian School of Music and Performing Arts (in Norway called ‘kulturskolen’). In order to effectively address this question, the following topics are examined: 1) Current challenges to music teaching in the Norwegian School of Music and Preforming Arts (SMPA), with particular attention to those seen as potentially relevant to the Suzuki Method. 2) Detailed description of the Suzuki Method (its origins, emphases, limitations, underlying assumptions and problems in intercultural adaptation). 3) Description and critique of relevant arguments: (a) regarding goals and values within the Suzuki Method (b) in opposition to Suzuki Method, (c) that challenge the need for codified approaches to teaching, and (d) that suggest intercultural adaptation is too problematic. 4) A discussion about the feasibility of adaption and implementation of elements from the Suzuki Method in the School of Music and Performing Arts. Based on this line of argumentation I conclude that piano pedagogy in the SMPA would benefit from: 1) stronger parental involvement, 2) integration of group teaching, 3) fruitful collegiality among teachers, and 4) a culture of teacher responsibility for child-development as seen in the Suzuki method. However, the method is oriented mostly towards the classical music tradition, other styles are not part of the standard repertoire, and neither is there a tradition of cultivating improvisation and composition. The main challenges I see in the SMPA is a lack of common values, goals, missions, professional progress and interactions between teachers. I suggest that using the Suzuki Method as framework for pedagogical ideas, thoughts and discussion, would provide solutions to these challenges. The implementation of elements of the Suzuki method could imply an opening towards more discussion, a questioning of our practices, and the establishment of stronger and more suitable relations among student, teacher, management and parents. This, in turn, could enhance the quality of the learning environment for the student, and make outcomes more predictable.nb_NO
dc.language.isoengnb_NO
dc.publisherHøgskulen på Vestlandet/ Western Norway University of Applied Sciencesnb_NO
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleAn investigation into the feasibility of using the Suzuki approach for piano education in the Norwegian Culture School.nb_NO
dc.title.alternativeEn diskusjon om Suzukimetodens egnethet i forhold til pianoundervisning i kulturskolennb_NO
dc.typeMaster thesisnb_NO
dc.description.localcodeM120Mu513nb_NO


Tilhørende fil(er)

Thumbnail

Denne innførselen finnes i følgende samling(er)

Vis enkel innførsel

Navngivelse 4.0 Internasjonal
Med mindre annet er angitt, så er denne innførselen lisensiert som Navngivelse 4.0 Internasjonal