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dc.contributor.authorRobberstad, Janne Iren
dc.contributor.authorKvellestad, Randi Veiteberg
dc.date.accessioned2024-02-05T11:25:54Z
dc.date.available2024-02-05T11:25:54Z
dc.date.created2024-01-25T11:15:31Z
dc.date.issued2023
dc.identifier.citationNordic Journal of Art and Research (A & R). 2023, 12 (2), 1-27.en_US
dc.identifier.issn2535-7328
dc.identifier.urihttps://hdl.handle.net/11250/3115560
dc.description.abstractThe UN Sustainable Development Goal 4 (SDG4) addresses equal access to quality education, focusing on literacy, numeracy and the science-field STEM subjects (Science, Technology, Engineering, Mathematics), - seemingly forgetting the importance of developing practical skills like craftsmanship. STEAM includes Arts into STEM, where the arts represent several independent artistic forms including music, theater, dance, visual arts, crafts and so on. In this article we focus on education for sustainable development through craftsmanship in embroidery. In a transdisciplinary collaboration that includes art, craftsmanship has its own innate value. Our research question is: In which ways can creative collaboration in embroidery enhance a sustainable STEAM education learning experience? We attempt to find answers to this by looking into how STEAM collaboration may affect the ways we teach craftsmanship, and the challenges and opportunities of doing so in a holistic transdisciplinary project, with a focus on ecological sustainability. Three groups of teacher-students help examine how crafts may contribute in building ecological awareness in themselves and an audience through conveying meaningful artistic narratives. Their embroideries were inspired by the UN’s Decade of Ecosystem Restoration. The results were shared through the Global Science Opera, an international STEAM-education initiative. Our analysis of the research data is influenced by posthumanizing creativity, which emphasizes ethically contributing world citizenship through embodied, collaborative creativity between creator and creation. This journey of making and being made shows a reciprocal relationship between humans and non-humans. The slow-art of embroidery invites the students into an embodied dialogue with the materials, tools, techniques and the scientific topics in the transdisciplinary context. As researchers we wonder how this dialogue and in-depth experience affected the students’ attitudes and actions towards sustainability. We found that the data supports the embodied, co-creative embroidery process, that it improved the students' craft experience, as well as increased the understanding and respect for the challenges in the new eco-reality.en_US
dc.language.isoengen_US
dc.publisherOslo Metropolitan Universityen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleEmbodied eco-embroidery - creative craftsmanship in sustainable STEAM-educationen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2023 The author(s)en_US
dc.source.pagenumber1-27en_US
dc.source.volume12en_US
dc.source.journalNordic Journal of Art and Research (A & R)en_US
dc.source.issue2en_US
dc.identifier.doihttps://doi.org/10.7577/ar.5339
dc.identifier.cristin2234304
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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