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dc.contributor.authorViig, Tine Grieg
dc.date.accessioned2023-04-13T08:57:49Z
dc.date.available2023-04-13T08:57:49Z
dc.date.created2023-01-30T10:25:12Z
dc.date.issued2022
dc.identifier.citationReligionsfag Profil. 2022, (43), 184-213.en_US
dc.identifier.issn1502-7929
dc.identifier.urihttps://hdl.handle.net/11250/3062804
dc.description.abstractIn this article I explore how the interplay between five elastic building components can take shape in the development of a musical score. With concepts derived from Magnar Åm’s (2004) article “Ikkjetid, ikkjetyngd”, I consider how time, space, weight, contrast and atmosphere come into play through creative work involving both writing and notations. Another part of the starting point for this exploration is the text Stilla og ropet written by Kaisa Aglen (2017). The musical score forms the foundation for opening up spaces of possibilities, for interpretation and performance. In the analysis of the artistic process I look closer at three different modes of exploration through reflection-in-action in the creative work: aesthetic, artistic and structural (Viig, 2020a). Finally, I also reflect on how we can understand this musical score as a form of expression situated in a cultural and sociohistorical context.en_US
dc.language.isonoben_US
dc.publisherCappelen Damm Akademisken_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleStilla og ropet – kunstnerisk (ut)forskning gjennom fem elastiske byggekomponenter.en_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2022 Tine Grieg Viigen_US
dc.source.pagenumber184-213en_US
dc.source.journalReligionsfag Profilen_US
dc.source.issue43en_US
dc.identifier.doi10.23865/noasp.158.ch11
dc.identifier.cristin2117997
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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